The Liberated Voice

CW: Animal cruelty

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I was recently reminded of a terrible joke I first heard as a child:

A scientist is performing research on a spider in his lab. He places the spider on a platform and commands, “Jump!”
The spider jumps. The scientist makes a note.
The scientist pulls off one of the spider’s legs, places it back on the platform, and commands, “Jump!”
The spider jumps. The scientist makes a note.
The scientist pulls off another one of the spider’s legs, places it back on the platform, commands “Jump!”… rinse and repeat, until finally the spider is completely legless.
The scientist makes a note: “When you pull off all the spider’s legs, it can no longer hear a damned thing.”

This comes to mind today because I feel that classical voice students often end up the unwitting study subjects of a psychological version of this experiment. Along the education and career paths they...

I have always loved to practice music. I have been obsessed with practicing from the moment Mrs. Pickens, my next-door neighbor, put an alto recorder in my hands. I was six years old.

It was the beginning of a lifelong passion. I had so much fun playing around with the instrument, figuring out the fingering, learning to navigate the register breaks, playing scales in different keys, and best of all, teaching myself to play songs I heard on the radio. I spent hours learning Simon & Garfunkel and Jim Croce songs by ear.

When my neighbor invited me to play in her [otherwise adult] recorder ensemble, I had to learn to read music. It was confusing and challenging, but it was also really fun. I enjoyed the problem-solving aspect of interpreting rhythm and pitch notation, and I really loved figuring out how the part I was playing fit into the overall musical design.

When I was eleven, I took up the clarinet and started playing in wind ensembles and orchestras. The clarinet opened up a...

Welcome to The Liberated Voice, Version 2.0!

It’s time to transplant and reboot my blog. My reasons for the refresh are logistical as well as philosophical.

I dubbed my practice The Liberated Voice when I first launched my blog in 2010, and I appended the tagline, “Revolutionizing vocal technique with timeless wisdom.” What I was implying without making explicit, is that the “timeless wisdom” I draw upon is largely inspired by Buddhist philosophy and practice; by “Liberated,” I’m referring to not only unfettered vocal expression, but also the liberation to enjoy our lives free of unnecessary suffering and limitation.

So why not make my influences explicit? At the time, I personally found it too challenging to decouple Buddhist philosophy and practice, from the hierarchical thinking and the “woo” that characterizes every “spiritual” path I have yet encountered. I’m in the camp that doesn’t...